THE ACMS: MOSTLY LIVE AND REALLY REAL

Follow @hitsdd

rumor mail

Email

First Name

Last Name

Company

Country

By clicking submit you are agreeing
to Terms and Conditions

		HITS LIST ENTERS SPOOKY SEASON Boo! (10/13a) Check It Out Now RUMORS ABOUND OF ROAN MANAGEMENT SHAKE-UP On the move? (10/10a) Check It Out Now A TASTE OF RAINMAKERS 2024: OMAR AL-JOULANI Live Nation's secret weapon (10/13a) Check It Out Now TOP 50: COLDPLAY'S MOON LANDING The Rolls Royce of British rock (10/12a) Check It Out Now TWISTERS: A ST WITH A SWIRL OF BUZZ Regionally and culturally on the money (10/13a) Check It Out Now
		THE GRAMMY SHORT LIST Who's already a lock? COUNTRY'S NEWEST DISRUPTOR Three chords and some truth you may not be ready for. AI IS ALREADY EATING YOUR LUNCH The kids can tell the difference... for now. ALL THE WAY LIVE The players, the tours, the enormous beers.

Music City

THE ACMS: MOSTLY LIVE
AND REALLY REAL

9/18/20

By Holly Gleason

It should’ve been April. It should’ve been Las Vegas. It should’ve been a live audience. It should’ve been a lot of things. But when the 55th Academy of Country Music Awards actually hit the airwaves, the sheer relief of finally getting the music moving was palpable.

A lot went into making the first mostly live awards show work. RAC Clark, Raj Kapoor and Glenn Weiss—alongside recently installed ACM chief Damon Whiteside—figured out a quick cut, three-location, green-screen extravaganza that celebrated The Grand Ole Opry, the teeny songwriter room The Bluebird Café and the Opry’s original home, The Ryman Auditorium.

...Read More