Quantcast
Advertisement
 Email

 First Name

 Last Name

 Company

 Country
CAPTCHA code
Captcha: (type the characters above)

HITS LIST:
’TIS THE SEASON
Like all the ones we used to know. (12/2a)
GRAMMY CHEW: (SORT OF) HANDICAPPING THE BIG 4
Your guess is as good as ours. (12/2a)
SONG REVENUE:
SEASONAL POTPOURRI
Decking the halls with long green (12/1a)
RAINMAKERS: JORGE MEJIA
A taste of the latest annual edition (12/1a)
DOLLIMORE IS BUZZING (AND NOT JUST FROM THE COFFEE)
Something brewing... (12/1a)
AI: RISKS AND REWARDS
How the biz might use this powerful new tech—and the threats it could pose.
HOW LONG WILL TRUMP'S PRISON SENTENCE BE?
Oh, sorry... we were just daydreaming.
RAINMAKERS 2023
The stories behind the biggest industry careers.
IS IT CHRISTMAS YET?
Music City
THE ACMS: MOSTLY LIVE
AND REALLY REAL
9/18/20

By Holly Gleason

It should’ve been April. It should’ve been Las Vegas. It should’ve been a live audience. It should’ve been a lot of things. But when the 55th Academy of Country Music Awards actually hit the airwaves, the sheer relief of finally getting the music moving was palpable.

A lot went into making the first mostly live awards show work. RAC Clark, Raj Kapoor and Glenn Weiss—alongside recently installed ACM chief Damon Whiteside—figured out a quick cut, three-location, green-screen extravaganza that celebrated The Grand Ole Opry, the teeny songwriter room The Bluebird Café and the Opry’s original home, The Ryman Auditorium.

...Read More