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REVENUE CHART:
RAINING CATS & DOGS
Starring Doja Cat, Nipper and Ms. Larry David (5/13a)
RECORDING ACADEMY LOCKS IN HARVEY MASON JR. AS CEO
Meet the new boss, same as the old boss. (5/14a)
TIME TRAVELING
WITH CLIVE (UPDATE)
Beam us up, Uncle Clive. (5/13a)
ROCK HALL INDUCTEES:
NEW & OVERDUE
Todd gets in. Finally. (5/13a)
KG's HOT ALT SUMMER
She also reviews the best outdoor Bluetooth speakers. (5/13a)
RHYTHM, BLUES AND THE FUTURE
The musical tapestry we know as R&B.
WHO'S NEXT?
Predicting the next big catalog deal.
JUST THE VAX, MA'AM
Once we all get vaccinated, how long before we can party?
WORLDWIDE GROOVE
How is globalization bringing far-flung territories into the musical mainstream?
Music City
THE ACMS: MOSTLY LIVE
AND REALLY REAL
9/18/20

By Holly Gleason

It should’ve been April. It should’ve been Las Vegas. It should’ve been a live audience. It should’ve been a lot of things. But when the 55th Academy of Country Music Awards actually hit the airwaves, the sheer relief of finally getting the music moving was palpable.

A lot went into making the first mostly live awards show work. RAC Clark, Raj Kapoor and Glenn Weiss—alongside recently installed ACM chief Damon Whiteside—figured out a quick cut, three-location, green-screen extravaganza that celebrated The Grand Ole Opry, the teeny songwriter room The Bluebird Café and the Opry’s original home, The Ryman Auditorium.

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