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A TICKING HITS LIST
Surely you have the time to take a look. (8/7a)
THE GREAT CATALOG GOLD RUSH
Is mining the past the future? (8/10a)
TIKTOK RESPONDS TO TRUMP'S BAN
The kids are not alright with Trump. (8/7a)
POP SMOKE GAINS, DABABY LEADS OUR SONG CHART
And the streams just keep on coming. (8/7a)
THE BABE & THE MULE
Interscope's co-MVPs (8/7a)
BTS BRINGS IT
They're so dreamy.
VOTE BY MAIL
It's a conspiracy, because everyone does it.
IS IT CHRISTMAS?
No, but we're thinking about cookies.
WOKE MUSIC
Protest songs that sound like now.
Music City
INTRIGUERS MAKING WAVES: RYAN HURD
7/31/20

By Holly Gleason

Hurd is the closest thing to a classic singer/songwriter as you’ll find in Music City, occupying terrain somewhere between Jackson Browne/Neil Young and Ed Sheeran/Jason Isbell.

Yes, he’s written massive hits for Diplo with Morgan Wallen (“Heartless”), Blake Shelton (“Lonely Tonight”), Luke Bryan (“Sunrise, Sunburn, Sunset”) and Lady A (“What If I Never Get Over You”), all of which are reconfigured on his new EOM EP, as well as Tim McGraw (“Last Turn Home”) and Maren Morris/Brothers Osborne (the Grammy-nominated “All My Favorite People”); but he’s more compelling stripping things back and unfurling little moments that hold big memories.

“To a T” has 89m plays on Spotify alone, where “Diamonds or Twine” and “Love in a Bar” are just under 30m. For the organic-leaning musician, success on his terms seems destined to flow from reflecting love, striving and connecting on a deeper level back to the 20- and 30-somethings seeking (and settling into) their places in the world. Those values make his new “Every Other Memory” linger long after it’s finished playing.