Quantcast
Advertisement
 Email

 First Name

 Last Name

 Company

 Country
CAPTCHA code
Captcha: (type the characters above)

REVENUE CHART:
ALL ABOUT THE BENJAMINS
Look who won the lottery. (1/22a)
ICYMI: THE MUSIC OF INAUGURATION DAY
Just what the doctor ordered. (1/21a)
NEAR TRUTHS: CHANGINGS OF THE GUARD
A big start to 2021. (1/19a)
THE CELEBRATION
MOVES TO iTUNES
America embraces songs of hope and uplift. (1/21a)
TOP 20: GUTEN MORGAN
Another big week for Republic. (1/21a)
RAINMAKERS
Bring your umbrella.
GRAMMYS: WHERE TO FROM HERE?
After the snubs, the show.
HOW TO FIND 11,780 VOTES
It's the way all the biggest mob bosses did it.
MOVING THE NEEDLE
When vaccination schedules and touring schedules meet.
Music City
INTRIGUERS MAKING WAVES: RYAN HURD
7/31/20

By Holly Gleason

Hurd is the closest thing to a classic singer/songwriter as you’ll find in Music City, occupying terrain somewhere between Jackson Browne/Neil Young and Ed Sheeran/Jason Isbell.

Yes, he’s written massive hits for Diplo with Morgan Wallen (“Heartless”), Blake Shelton (“Lonely Tonight”), Luke Bryan (“Sunrise, Sunburn, Sunset”) and Lady A (“What If I Never Get Over You”), all of which are reconfigured on his new EOM EP, as well as Tim McGraw (“Last Turn Home”) and Maren Morris/Brothers Osborne (the Grammy-nominated “All My Favorite People”); but he’s more compelling stripping things back and unfurling little moments that hold big memories.

“To a T” has 89m plays on Spotify alone, where “Diamonds or Twine” and “Love in a Bar” are just under 30m. For the organic-leaning musician, success on his terms seems destined to flow from reflecting love, striving and connecting on a deeper level back to the 20- and 30-somethings seeking (and settling into) their places in the world. Those values make his new “Every Other Memory” linger long after it’s finished playing.