Q IS EVERYTHING AND EVERYTHING IS Q: HOW QUINCY JONES BECAME THE GOAT
Remembering an American legend. (11/6a)
OF PONIES, PRINCESSES AND UNICORNS: CHAPPELL'S SNL TRIUMPH AND BEYOND
Changing the pop narrative (11/5a)
| ||
THE GRAMMY SHORT LIST
Who's already a lock?
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
ALL THE WAY LIVE
The players, the tours, the enormous beers.
|
Interview by Holly Gleason
It was three or four days into the protests surrounding George Floyd, Breonna Taylor ;and Ahmaud Arbery when Kane Brown knew what he needed to do. The RCA Nashville star saw the pain and divisiveness fueling the unrest, he heard the arguments, and it so happened that he’d already come up with a song that met these issues head on—not with bitterness but with the hard-earned belief that change is possible.