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THE GRAMMY NOMS: A PRELIMINARY CHEW
"Uh-huh" vs. "huh?" (11/20a)
AND THE NOMINEES ARE...
The list. (11/20a)
A TOP 20 OF TITANIC PROPORTIONS
Best enjoyed with a good belt. (11/20a)
SONY'S BIG WEEK
And that was before the Grammy deluge. (11/20a)
DABABY IN GERSON'S CRIB
Talk about pub crawling. (11/20a)
THE GRAMMY NOMINATIONS
They're here. What do they mean?
U.K. SPECIAL
Forget Brexit--it's our yearly survey of doings in Blighty. And if you still can't forget Brexit, try drinking.
WHAT'S GOING ON BENEATH OUR WINDOWS?
The latest in Hollyweird.
WEED!
That's what Hollywood smells like. Seriously. 24/7.
Music City
NEXT-WAVE PUBLISHERS: TRAVIS GORDON (UMPG NASHVILLE, SENIOR CREATIVE DIRECTOR)
7/8/19

Travis’ key writers include Troy Verges, Natalie Hemby, Chase McGill, Rachel Wammack, Greylan James and Catie Offerman.

Notable cuts include the Grammy-winning “Humble & Kind” by Tim McGraw, Grammy-nominated “Break Up in the End” by Cole Swindell and “When Someone Stops Loving You” by Little Big Town, Michael Ray’s biggest-selling single to date, “Think a Little Less,” and the late, great Andrew Dorff’s “Yours if You Want It” by Rascal Flatts.

“Music is being released at a faster rate than ever before,” Gordon notes. “With more songs and artists constantly being pumped into the marketplace, you need truly great songs and artists to rise above the noise.”