MUSIC'S MOST BEWILDERING NIGHT
Gauchos got what they'd long deserved, 20 years too late. (12/30a)
TOP 50: A LITTLE SZA, A WHOLE LOTTA CHRISTMAS
We won't have to hear "The Little Drummer Boy" again for 10 months. (12/27a)
PHOTO GALLERY: PICS OF THE WEEK OF THE YEAR (PART TWO)
More weasel photo ops (12/30a)
TOP 50: A LITTLE SZA, A WHOLE LOTTA CHRISTMAS
The final album chart of the year (12/27a)
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NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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COUNTRY 10.1 | OVERALL 1.2
Borchetta’s Big Machine started the year with a little act you might’ve heard of named Taylor Swift, and has since seen two young acts, Brett Young and Midland, achieve ACMs glory in the wake of radio and sales booms. New signing Riley Green, meanwhile, has ginned up a deafening buzz throughout Music City. Nobody has stood up for new rock like Borchetta or John Varvatos, his partner in inking such blazing guitar-slingers as Badflower(now exploding at radio, with newly anointed BMLG/Varvatos SVP Head of Promo Heather Luke simply kicking ass), Pretty Vicious and (via Cumulus’ neXt2rock) Ivory Black. Big Machine Music, Borchetta’s pub arm, upped Mike Molinar to GM, and TV venture The Launch (in partnership with Bell Media) had its, um, launch via Sony Pictures Television. (It should be noted that BMLG’s marketshare does not include Taylor, but that shouldn’t affect anyone’s reputation.)
Click the data graphics below for a bigger look.