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JESUS IS COMING—REALLY
Your skepticism is understandable, given recent history. (10/21a)
STRUNG OUT
ON STRINGS
KG is happy for a change. (10/21a)
U.K. MIDWEEKS: A BATTLE FOR #1
Sometimes our two countries seem quite distinct from each other taste-wise. (10/21a)
JESUS IS COMING—REALLY
But shouldn't "is" have an initial cap? (10/21a)
TOP 50 CHART: THIS THING IS BROKE
Never...again (10/21a)
RIHANNA PREPARES TO RULE THE ROOST
What shoes go with dancehall?
WHAT'S NEXT FOR R&B?
How certain projects connect at streaming.
THE K-POP LANDSCAPE
농담은 한국어에서 더 잘 작동합니다.
THE NEW GRAMMY POWER
Change is nigh.
Music City
GALYON WRITES ON
4/11/18


As was previously rumored, established and well-liked songwriter Nicolle Galyon has re-upped with Warner/Chappell. The pubco, which has been championing her for more than 10 years now, officially announced the extension of her deal yesterday. It's safe to assume that this was a biggie.

“Nicolle is one of the most talented individuals to grace Music Row," shared W/C Nashville Prez Ben Vaughn. "Her command of lyric and melody has propelled her to be recognized as someone that has true commerciality & depth in every writing session. There is no limit to the places she can continue to grow in this industry as a songwriter, vocalist, producer, mentor, & collaborator. Everyone in the Warner/Chappell family is proud to continue a relationship with a friend and partner like Nicolle,” whose recent work includes Keith Urban’s “Female” and “Coming Home,” Lady Antebellum’s “Heart Break,” Kenny Chesney’s “All the Pretty Girls,” Lee Brice’s “Boy,” and Dan + Shay’s “Tequila,” as well as Camila Cabello's “Consequences."

Seen above before tequila led to consequences are (Front Booth) Galyon, W/C's BJ Hill, Vaughn and Ryan Beuschel; (Back) WC's Will Overton, Alison Junker, Jessi Vaughn, Bethany Mako, Katie Jelen and Phil May, Farris, Self, & Moore's Kella Stephenson-Farris and Greenberg Traurig's Jess Rosen.