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THE HITS LIST TURKEY TROT
...with all the trimmings (11/22a)
AN AWARD-WINNING CMA GALLERY
Cowboy hats and funny caps (11/21a)
NEAR TRUTHS: WITCHING HOUR
It's not easy being green. (11/21a)
NEAR TRUTHS: REALIGNMENT AND RECOGNITION
Underscoring the year's biggest stories (11/19a)
NEAR TRUTHS: THE ELEPHANT IN THE ROOM
Nervous time in the music biz and beyond. (11/16a)
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
Critics' Choice
OFFA REX: BOW BEFORE THE QUEEN
7/6/17

About 45 seconds into "Sheepcrook and Black Dog," a track from The Queen of Hearts, the forthcoming Nonesuch set from Offa Rex (due 7/15), I said something I don't often say these days:

HOLY FUCKING SHIT.

The Zeppelin-esque riff rock that kicks off the tune gives way to gorgeous, authentic English folk, and the effect is electrifying. The band is an inspired collaboration between Portland pop-rock provocateurs The Decemberists and English artist Olivia Chaney, whose grasp of classic Celtic song is as profound as anyone's—and whose voice is a gift from heaven.

While the rest of Queen isn't quite as heavy, it is relentlessly riveting, and a showcase of the participants' musical versatility. Among the other highlights: the beguiling title track, the rousing, politically charged "Blackleg Miner," a gorgeous take on Ewan McColl's evergreen "The First Time Ever I Saw Your Face" and the stately memento mori "The Old Churchyard."

What's perhaps most staggering is that these songs are all either traditional or well-aged standards in the folk canon; Offa Rex's interpretations (driven by Chaney's canny arrangements) sparkle with immediacy.

You can hear the whole thing here, thanks to an NPR advance stream. It's a a welcome drink from the deepest of wells.