FIREAID UPDATE: ALANIS, BLACK CROWES AMONG NEWEST ADDITIONS
Everybody who's anybody will be performing. (1/19a)
SPOTIFY CANCELS GRAMMY-WEEK EVENTS, DONATES TO FIREAID, MUSICARES, MORE
Yet another shoe drops. (1/16a)
PERSHING SQUARE PUSHES TO SET UP U.S. LISTING FOR UMG
Ackman won't take no for an answer. (1/16a)
ACADEMY TELESCOPES GRAMMY WEEK EVENTS
The show must go on, with modifications. (1/15a)
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NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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Sean McConnell has seen his songs recorded by Tim McGraw, Brad Paisley, Christina Aguilera, Martina McBride, the Eli Young Band and the cast of TV's Nashville, among many others. He's also put out a handful of well-received albums of his own. But his new set on Rounder is his most accomplished yet, and reflects both finely honed songcraft and emotional depth. Among the standouts: the wistful "Holy Days," the Mellencampian "Ghost Town," future Valentine's Day standard "Best We've Ever Been" and the exquisite "Queen of Saint Mary's Choir."
His voice sounds gorgeous, and the production—by the Nashville team of Ian Fitchuk and Jason Lehning—is crystalline. Is McConnell ready to become a star himself? Judging by this stellar set, we'd say yes.