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ANOTHER BILLIE BANGER? (UPDATE)
Are you free Wednesday afternoon? (11/12a)
BIEBER BY CHRISTMAS?
How's that for a tease, Bieber Nation? (11/12a)
NEAR TRUTHS: MEET
THE NEW BOSSES
Not the same as the old bosses (11/12a)
CMA CENTERPIECE
CARRIE UNDERWOOD
This sure feels like her moment. (11/12a)
WHO'S GETTING ZERVAS?
It's down to two bidders. (11/12a)
THE GRAMMY NOMINATIONS
They'll soon be here, and then we can start obsessing about who'll win.
U.K. SPECIAL
Forget Brexit--it's our yearly survey of doings in Blighty. And if you still can't forget Brexit, try drinking.
ZERVAS STATION
Who's going to land the hottest unsigned property in music?
WEED!
That's what Hollywood smells like. Seriously. 24/7.
Critics' Choice
LISTEN BEFORE CASTING YOUR BALLOT: FALL OUT BOY, AMERICAN BEAUTY, AMERICAN PSYCHO
10/28/15

Fall Out Boy, American Beauty/American Psycho (DCD2/Island): At a time when few alternative bands—especially ones that could plausibly be called alternative rock—crossed into the mainstream, FOB knocked three huge singles (“Immortals,” “Centuries” and “Uma Thurman”) out of the park. The source of those smashes is a madly energetic, stylistically restless collection (the band’s sixth, as it happens) that lives up to the edgy aesthetics of its title. Its arena dynamics should be a wake-up call for rockers who’ve allowed their ambition to go slack—we’re talking enormo-dome hooks, blazing guitars and window-rattling beats delivered with unflagging urgency. Pete Wentz and mates borrow from EDM, hip-hop and even surf-rock to bolster their rock assault, and it somehow all comes out Fall Out Boy. It’s hard to imagine Beauty not stomping its way to a Rock Album trophy, but it surely merits consideration for the overall prize.