NEAR TRUTHS: REALIGNMENT AND RECOGNITION
Underscoring the year's biggest stories (11/19a)
NEAR TRUTHS: THE ELEPHANT IN THE ROOM
Nervous time in the music biz and beyond. (11/16a)
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NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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Leon Bridges, Coming Home (Columbia): How does a 21st-Century kid from Texas so utterly capture not merely the sound but the vibe, the spirit, of classic Sam Cooke, Otis Redding and Solomon Burke records? However he does it, Bridges is heaven-sent—and while the Best New Artist buzz on him is deafening, his debut full-length also deserves thorough consideration. At its core is an authenticity, even an innocence, befitting the consistently gorgeous material, such as the incandescent “Brown Skin Girl,” the stirring “Better Man,” the Muscle Shoals funk of “Smooth Sailin’” and the moving tribute to his mom, “Lisa Sawyer.” Coming Home flows with seemingly effortless grace, moving past the self-conscious nostalgia of much tradition-minded music and going right to the heart.