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PRE-GRAMMY GALA GOES GAGA FOR GERSON
Jody will be the center of attention at Clive's shindig. (12/18a)
ON THE COVER:
BILLIE EILISH
A star upon the highest bough (12/19a)
NOISEMAKERS:
A HOLIDAY TREAT
Something for their stockings (12/18a)
SUPREME COURT SETS 1/10 HEARING ON TIKTOK BAN
How will SCOTUS rule? (12/19a)
THE HIP-HOP CONUNDRUM
Grammy being Grammy (12/19a)
NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
Critics' Choice
LISTEN BEFORE CASTING YOUR BALLOT: ALABAMA SHAKES, SOUND & COLOR
10/28/15

Alabama Shakes, Sound & Color (ATO/Caroline): This alterna-soul outfit’s follow-up to Boys & Girls finds them venturing into new sonic territory—and crafting new settings for Brittany Howard’s frankly astonishing pipes. Howard, who recently joined idol Sam Moore for a duet at the Kennedy Center and sang with Mavis Staples on the premiere of Colbert’s Late Show, is a force of nature and has rightly been the primary recipient of the accolades, but the band really steps up here as well, with sharper grooves, peerless dynamics, incisive riffs and sprays of jazzy texture. While the troupe’s reach is wide—from hushed soul (“Guess Who,” the title track) to raucous, punked-out stroll (“The Greatest”)—it never exceeds their grasp. Sound is a truly cohesive statement from a band in full flower. For its artistry, grit and innovative approach to musical tradition, this set deserves a serious listen—at high volume.