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NEAR TRUTHS: REVOLUTIONS AND ROCKET SHIPS
IB Bad weighs in on the "youthquake." (11/19a)
GRAMMY SHOWDOWNS
In the red corner... (11/19a)
ARIZONA GOES TO COLUMBIA
Bring on the remixes! (11/15a)
NEW RELEASES: LE RETOUR DE CELINE (UPDATE)
Nothing lost in translation. (11/18a)
WILL REI AMI BE THE NEXT ACT TO POP?
Pass the popcorn. (11/18a)
THE GRAMMY NOMINATIONS
They'll soon be here, and then we can start obsessing about who'll win.
U.K. SPECIAL
Forget Brexit--it's our yearly survey of doings in Blighty. And if you still can't forget Brexit, try drinking.
WHAT'S GOING ON BENEATH OUR WINDOWS?
The latest in Hollyweird.
WEED!
That's what Hollywood smells like. Seriously. 24/7.
Critics' Choice
LISTEN BEFORE CASTING YOUR BALLOT: HOZIER
10/21/15

Hozier, Hozier (Columbia): The Irish troubadour got a big look on Grammy night 2015, performing his SOTY-nominated monster “Take Me to Church” with Annie Lennox and showing off his considerable guitar chops. He is the rare artist who makes young girls scream and critics swoon. But beyond “Church,” it seems comparatively few people are acquainted with the rest of his assured debut set. With a remarkable command of rock, blues, folk and soul, a vivid literary sensibility as a lyricist, an authoritative voice and an earthy, unconventional approach to arrangement and production, Andrew Hozier-Byrne (ably assisted by his mini-orchestra of a band) created one of the deepest, most rewarding sets in recent memory. There are too many highlights to fully enumerate, but here are several: edgy rocker “Angel of Small Death and the Codeine Scene,” scruffy R&B anthem “Jackie and Wilson,” playful pop ditty “Someone New,” the haunted blues “It Will Come Back,” the Satanic verses of “From Eden,” the questing, anguished “Sedated,” the tranquil, timeless “In a Week” and the bone-deep field holler “Work Song.” Taken individually, these songs are knockouts; taken together they produce a mesmerizing album experience. Hozier is a major arrival, and his extraordinary first album should be recognized as such.