MUSIC'S MOST BEWILDERING NIGHT
Gauchos got what they'd long deserved, 20 years too late. (12/30a)
TOP 50: A LITTLE SZA, A WHOLE LOTTA CHRISTMAS
We won't have to hear "The Little Drummer Boy" again for 10 months. (12/27a)
PHOTO GALLERY: PICS OF THE WEEK OF THE YEAR (PART TWO)
More weasel photo ops (12/30a)
TOP 50: A LITTLE SZA, A WHOLE LOTTA CHRISTMAS
The final album chart of the year (12/27a)
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NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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Nile Rodgers accused labels and streaming services of lacking transparency over revenue earned by artists and writers in the second evidence session for the U.K. Government’s inquiry into the economics of music streaming.
In the online session, Rodgers also accused streaming services of withholding money. “Every single time I've audited my partners, I find money. Every single time. And sometimes, it's staggering, the amount of money,” reports the BBC.
Rodgers argued for streams to be counted as radio broadcasts, rather than a sale. “Labels have unilaterally decided that a stream is considered a sale because it maximixes their profits,” he said. “Artists and songwriters need to update clauses in their contracts to reflect the true nature of how their songs are being consumed—which is via a license.”
Songwriter Fiona Bevan said “the most successful songwriters in the world can’t pay their rent” due to the way royalties are currently paid out. Revealing that she has earned £100 from co-writing a track on Kylie Minogue’s recent U.K. #1 album, Disco, Bevan stated: “It's becoming increasingly difficult to make a living, largely due to the huge imbalance in how music streaming pay creators.”