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NEAR TRUTHS: BLOWING THE WHISTLE
Pissing outside the tent. (2/14a)
BILLIE RELEASES HAUNTING, ETHEREAL BOND THEME
The siblings strike again. (2/14a)
HITS LIST:
SURPRISE, SURPRISE
We, too, are thinking of going public. (2/14a)
NATION BUILDER
JAY BROWN
Takin' care of business. (2/14a)
STEVENSON'S
NEXT MOVE
Nice run. (2/14a)
DON'T TALK TO THE PRESS
Also, don't leak the memo about not talking to the press to the press. Please.
GRAMMY VOTING
How the sausage is made.
BIEBER'S BIG BOW
Changes changes the conversation.
PRIMARIES
So hard to decide...
Blighty Beat
SOLO MEN RULE U.K. MUSIC. WHY?
5/10/18

 

This revealing graph show how music trends have shifted in the U.K. since 2000, with the appetite for male solo artists rocketing at the expense of groups, as seen in a story published by The TimesAdele aside, female soloists haven’t fared so well either.

Last year, male solo artists like Ed SheeranRag’n’Bone ManStormzyLiam Gallagher and Sam Smith accounted for 46% of album sales in Blighty. That’s the highest share since figures were recorded in 2000, when that stat was a tad above 30%, according to figures provided by trade body BPI and the Official Charts Co.

In 2000, male groups started with a 37% share of the market, rising to a 45% peak in 2005 (Coldplay, Kaiser ChiefsWestlife) and since dropping to 33%.

Female solo artists started at 18% in 2000, peaking at 31% in 2011 when Adele released her second album, 21, and since dropping to a comparatively tiny 13% albums market share.

Mixed male and female groups have dipped to 6% from 11% over the last 17 years, while female groups have maintained a fairly even keel at just 3%.

… Read more