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GETTING THE WORD OUT, 2019-STYLE
It's so social. (10/23a)
NEIL'S ROCKY MOUNTAIN TRIP
Young's cranky and crankin'. (10/22a)
THE DEATH OF PRINT JOURNALISM: TOWERING INFERNO EDITION
Made with 100% paper. (10/22a)
ALL ABOUT
THE BENJAMIN
Hot derby in 3, 2, 1... (10/22a)
BMI BIG ON BLIGHTY
Rhian returns from holiday, attends an event, files a story. (10/22a)
BEHIND THE SCENES WITH KANYE
And lo, there was much earned media.
MOE, MARSHMELLO AND MONEY
The story of a "faceless" brand that got very, very big.
THE NEW WORLD OF A&R
The trap they all fell into.
GRAMMY NOMS
Who deserves consideration in the genre categories?
Blighty Beat
SOLO MEN RULE U.K. MUSIC. WHY?
5/10/18

 

This revealing graph show how music trends have shifted in the U.K. since 2000, with the appetite for male solo artists rocketing at the expense of groups, as seen in a story published by The TimesAdele aside, female soloists haven’t fared so well either.

Last year, male solo artists like Ed SheeranRag’n’Bone ManStormzyLiam Gallagher and Sam Smith accounted for 46% of album sales in Blighty. That’s the highest share since figures were recorded in 2000, when that stat was a tad above 30%, according to figures provided by trade body BPI and the Official Charts Co.

In 2000, male groups started with a 37% share of the market, rising to a 45% peak in 2005 (Coldplay, Kaiser ChiefsWestlife) and since dropping to 33%.

Female solo artists started at 18% in 2000, peaking at 31% in 2011 when Adele released her second album, 21, and since dropping to a comparatively tiny 13% albums market share.

Mixed male and female groups have dipped to 6% from 11% over the last 17 years, while female groups have maintained a fairly even keel at just 3%.

… Read more