FIREAID SETS SUPERSTAR LINEUP, EXPANDS TO FORUM
Everybody who's anybody will be performing. (1/16a)
SPOTIFY CANCELS GRAMMY-WEEK EVENTS, DONATES TO FIREAID, MUSICARES, MORE
Yet another shoe drops. (1/16a)
PERSHING SQUARE PUSHES TO SET UP U.S. LISTING FOR UMG
Ackman won't take no for an answer. (1/16a)
ACADEMY TELESCOPES GRAMMY WEEK EVENTS
The show must go on, with modifications. (1/15a)
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NOW WHAT?
We have no fucking idea.
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
WHO'S BUYING THE DRINKS?
That's what we'd like to know.
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Beyoncé’s sass-fueled “Hold Up” is the track from Lemonade the British public are going crazy for, despite “Sorry” being the single that Bey’s U.K. label, Sony’s RCA, is pushing to radio. Produced by Diplo, "Hold Up"—an ode to a suspect lover—was written with help from Vampire Weekend’s Ezra Koenig, Father John Misty and MNEK.
While “Sorry” is sitting on the Capital FM playlist—the whole album is on the BBC Radio 1 B List—“Hold Up” is 178 places ahead of "Sorry" on this week’s rolling Radiomonitor charts at #66. It currently sits at #4 on the U.K.’s iTunes Singles Chart and #11 on the midweek Official Singles Chart; the same number it occupies on Shazam's Top 100 list over on the east side of the pond.