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NEAR TRUTHS: KINGDOMS
File under: The enemy of my enemy is my friend. (3/26a)
ONE SHINING HITS LIST
She shoots, she scores! (3/26a)
YTD MARKET SHARE
Zeroing in on the elite teams (3/27a)
BEST IN THE WEST:
STEVE BERMAN
High time for another Eminem skit (3/26a)
MUSIC REVENUE TOPPED $17B IN 2023: RIAA
Streaming subscriptions lead the charge. (3/27a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
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NEAR TRUTHS: KINGDOMS
File under: The enemy of my enemy is my friend. (3/26a)
ONE SHINING HITS LIST
She shoots, she scores! (3/26a)
YTD MARKET SHARE
Zeroing in on the elite teams (3/27a)
BEST IN THE WEST:
STEVE BERMAN
High time for another Eminem skit (3/26a)
MUSIC REVENUE TOPPED $17B IN 2023: RIAA
Streaming subscriptions lead the charge. (3/27a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
RUMOR MILL
Blighty Beat
PPL PAYS OUT £61.3M
4/1/21

British CMO PPL paid out £61.3m ($84.6m) to more thana 25k performers and recording rights holders in its Q1 distribution. Since the start of the pandemic, PPL has now distributed a total £308.8m ($426m).

That payout included the third-highest quarterly international distribution in the company’s history—£28.1m ($38.8m). The £28.1m is made up of revenues collected from 63 CMOs around the world, with significant payments from CMOs in Germany, the U.S. and Italy. For the first time, the distribution also contains money from the Netherlands’ org STAP, which represents producers of sound carriers in the distribution of the home copying levy and lending right remunerations .

PPL Chief Executive Officer Peter Leathem said this quarter’s payment “reflects the quality of our operations and the popularity of our members’ repertoire.” The firm established its international collections arm in 2006, and since then, has distributed “hundreds of millions of pounds” to its mandating members for the use of their recorded music overseas.

He continued: “Each year our team of neighboring rights experts work with CMOs around the world to maximize the global recorded music royalty revenues we collect and distribute each quarter.” PPL has more than 100 agreements in place with CMOs across Africa, Asia, Australia, Europe, and North and South America.

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