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MARTY'S NOTE TO
THE TROOPS
A 12-year run is coming to an end. (9/18a)
MEMO FROM JON
Platt heading to Sony/ATV. (9/17a)
THE MORPHING MEANING OF A&R
Tina, Tubby, Steven, Derrick and Tim weigh in. (9/17a)
CHART STORY: ONE NATION UNDER STATION
McCartney's first #1 debut. (9/17a)
NEW RELEASES,
CARRIED FORWARD
Sitting "Pretty." (9/18a)
RAINMAKERS
The ones making history now.
WHO'S NEXT?
Who will be the next big pub and label players?
THOUGHTS ON LUNCH?
Like, will it ever get here?
THE KIDS
They're leaning on the button.
THE B-SIDE
Sasha SloanĀ (Good Times Recording)
2/27/18

WHAT IT IS: Sasha Sloan established herself as one to watch last fall when she wrote and appeared on Kygo’s “This Town,” King Henry’s “I’ll Be There” and Odesza’s “Falls.” Her rise has continued with the release of her first solo track, “Ready Yet,” and follow-up “Runaway,” which was featured at #2 on Spotify’s New Music Friday playlist. She’ll bring her heartfelt, left-of-center pop to her highly anticipated debut EP—set to be released this spring. Sloan’s songwriting talents have also been sought after by today’s top artists, including Camila Cabello (“Never Be the Same”), Maggie Lindemann (“Pretty Girl”), Steve Aoki/Louis Tomlinson (“Just Hold On”), Tinashe/Future (“Faded Love”) and more. Her songwriting has leant itself to over 1b streams.
SINGLE: “Normal”
LIVE: Opening for Joywave on current nationwide tour (Feb-March); booked for multiple major festivals in the U.S.
INTERNET: Debut single “Ready Yet” has amassed 7.3m+ Spotify streams since October release; 6.4m+ “Runaway” streams
PRESS: Complex (“Sloan pour[s] her soul out over a melancholic backdrop as she deals with heartbreak”), Billboard (“bright talent returns with a two-track offering that only builds the hype”), Notion (“Sloan shows off her impressive lyric writing ability”)
BOOKING: Matt Galle/Paradigm
PUBLISHING: Warner/Chappell
MANAGEMENT: Rupert Lincoln/Hills Artist Management