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TOP 20: JUST TRUST US
A second sonic Boom (4/18a)
ON THE COVER:
AARON BAY-SCHUCK
AND TOM CORSON
Bunny's hoppin' again. (4/17a)
NEAR TRUTHS:
PRIMARY NUMBERS
Hats off to Larry (4/17a)
TAY’S FORTHCOMING DEBUT: WE ARE TORTURED BY SPECULATION
So many questions (4/18a)
THE COUNT: COACHELLA, FROM THE COUCH
The coziest way to experience the fest (4/18a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
THE B-SIDE
Sasha Sloan (Good Times Recording)
2/27/18

WHAT IT IS: Sasha Sloan established herself as one to watch last fall when she wrote and appeared on Kygo’s “This Town,” King Henry’s “I’ll Be There” and Odesza’s “Falls.” Her rise has continued with the release of her first solo track, “Ready Yet,” and follow-up “Runaway,” which was featured at #2 on Spotify’s New Music Friday playlist. She’ll bring her heartfelt, left-of-center pop to her highly anticipated debut EP—set to be released this spring. Sloan’s songwriting talents have also been sought after by today’s top artists, including Camila Cabello (“Never Be the Same”), Maggie Lindemann (“Pretty Girl”), Steve Aoki/Louis Tomlinson (“Just Hold On”), Tinashe/Future (“Faded Love”) and more. Her songwriting has leant itself to over 1b streams.
SINGLE: “Normal”
LIVE: Opening for Joywave on current nationwide tour (Feb-March); booked for multiple major festivals in the U.S.
INTERNET: Debut single “Ready Yet” has amassed 7.3m+ Spotify streams since October release; 6.4m+ “Runaway” streams
PRESS: Complex (“Sloan pour[s] her soul out over a melancholic backdrop as she deals with heartbreak”), Billboard (“bright talent returns with a two-track offering that only builds the hype”), Notion (“Sloan shows off her impressive lyric writing ability”)
BOOKING: Matt Galle/Paradigm
PUBLISHING: Warner/Chappell
MANAGEMENT: Rupert Lincoln/Hills Artist Management