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ANOTHER YEAR OF GROWTH IN THE U.K.
Three in a row! (3/21a)
SONG REVENUE CHART: "RING" IN THE IDES OF MARCH
The full Monte yet again. (3/21a)
TIGERS INVADE DEF JAM HQ
Trumps a fast-food White House visit, don't it? (3/21a)
YOUR TOP 20:
DEATH RACE 2.0
Will Juice get a refill? (3/21a)
THE ROOTS OF ROCK & SOUL, SONG BY SONG: THE MID-’50S
The saga continues. (3/19a)
THE NEXT RECORDING ACADEMY HEAD IS...
(The envelope, please.)
IT'S NOT JUST ABOUT MARKETSHARE
But it is, really. Isn't it?
WHAT IF I DON'T STREAM?
First of all, don't panic.
WHO ORDERED THIS PIZZA?
Seriously, come get it now or we're eating it.
THE B-SIDE
Sasha Sloan (Good Times Recording)
2/27/18

WHAT IT IS: Sasha Sloan established herself as one to watch last fall when she wrote and appeared on Kygo’s “This Town,” King Henry’s “I’ll Be There” and Odesza’s “Falls.” Her rise has continued with the release of her first solo track, “Ready Yet,” and follow-up “Runaway,” which was featured at #2 on Spotify’s New Music Friday playlist. She’ll bring her heartfelt, left-of-center pop to her highly anticipated debut EP—set to be released this spring. Sloan’s songwriting talents have also been sought after by today’s top artists, including Camila Cabello (“Never Be the Same”), Maggie Lindemann (“Pretty Girl”), Steve Aoki/Louis Tomlinson (“Just Hold On”), Tinashe/Future (“Faded Love”) and more. Her songwriting has leant itself to over 1b streams.
SINGLE: “Normal”
LIVE: Opening for Joywave on current nationwide tour (Feb-March); booked for multiple major festivals in the U.S.
INTERNET: Debut single “Ready Yet” has amassed 7.3m+ Spotify streams since October release; 6.4m+ “Runaway” streams
PRESS: Complex (“Sloan pour[s] her soul out over a melancholic backdrop as she deals with heartbreak”), Billboard (“bright talent returns with a two-track offering that only builds the hype”), Notion (“Sloan shows off her impressive lyric writing ability”)
BOOKING: Matt Galle/Paradigm
PUBLISHING: Warner/Chappell
MANAGEMENT: Rupert Lincoln/Hills Artist Management