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REVENUE CHART: BATTLE HYMNS OF REPUBLIC
Monte's army on the offensive (9/13a)
AMERICANA AWARDS: WINNERS AND TAKEAWAYS
A bridge to the Grammys? (9/12a)
YOUR TOP 20
IS POSTED
We give him a ton of ink. (9/12a)
NEAR TRUTHS:
CALLING THE BALL
A deep dive by I.B. Bad (9/13a)
GREEN DAY'S BIG DAY
Warming up for the stadium tour (9/12a)
MORE RAINMAKERS
The players who made it happen.
WHAT ABOUT THOSE LEAKS?
Even funnier in French.
RIHANNA'S ETA
And about $50m in funding.
THE BUNDLE BUNGLE
When will the rules change?
Pub Crawling
NASHVILLE'S NEXT-WAVE PUBLISHERS: JOSH VAN VALKENBURG (SONY/ATV NASHVILLE, A&R)
7/11/19

Josh oversees the SATV Nashville A&R team, home to such superstar artist/writers as Taylor Swift, Luke Bryan, Eric Church, Miranda Lambert, Darius Rucker and Thomas Rhett. He’s guided the careers of hit songwriters Josh Osborne (Sam Hunt’s “Body Like a Back Road,” Midland’s “Drinkin’ Problem”), Ross Copperman (Kenny Chesney’s “Get Along,” Dierks Bentley’s “Woman Amen”) and Jon Nite (Cole Swindell’s “Break Up in the End,” Luke Bryan’s “Strip It Down”), as well as star artists Kelsea Ballerini, Brett Eldredge and Chase Rice. Writers in his charge have amassed over 60 country #1s.

“As record labels have enjoyed a serious increase in revenue due to streaming,” he says, “we’ve seen an increase in artist signings and thus more product. More releases equals more opportunities for our writers to get songs on records. While we’ve still got a long way to go in terms of fair compensation for songwriters and publishers from streaming, it’s encouraging to see more songs get a chance to be heard and consumed. Hopefully, this will lead to more songwriters getting the chance to make a living doing what they were born to do.”