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REVENUE CHART: BATTLE HYMNS OF REPUBLIC
Monte's army on the offensive (9/13a)
AMERICANA AWARDS: WINNERS AND TAKEAWAYS
A bridge to the Grammys? (9/12a)
YOUR TOP 20
IS POSTED
We give him a ton of ink. (9/12a)
NEAR TRUTHS:
CALLING THE BALL
A deep dive by I.B. Bad (9/13a)
GREEN DAY'S BIG DAY
Warming up for the stadium tour (9/12a)
MORE RAINMAKERS
The players who made it happen.
WHAT ABOUT THOSE LEAKS?
Even funnier in French.
RIHANNA'S ETA
And about $50m in funding.
THE BUNDLE BUNGLE
When will the rules change?
Pub Crawling
NASHVILLE PUBLISHERS: COLLECT 'EM ALL (SONY/ATV)
7/9/18

Troy Tomlinson

President/CEO, Sony/ATV Nashville

Highlight Reel

Recent signings include Kelsea Ballerini, Luke Laird, Charlie Worsham and The Sisterhood.

 Creative hirings include Dane Schmidt, Katie Kerkhover and Stephen Denninger.

Awards: Sony/ATV Nashville celebrated an unprecedented 16th consecutive year as BMI’s Country Publisher of the Year.

How are the considerations surrounding Nashville pub deals changing, if at all, given the current economics of the biz?
I think there’s been a shift in how songwriters are evaluating the sale of their publishing assets. Once private equity money began flowing down the streets of Music Row and corporations got caught up in the flood, the initial reaction by some advisors to songwriters was to simply go with the top bid and trust that things would work out. More recently, I feel like there is a greater emphasis being placed on who the right creative partner is, even if that isn’t always the top bidder. Of course, in order to secure the rights of successful songwriters, everyone still has to be competitive financially. But I think now we are beginning to see a renewed interest in the value of a great creative partner and team.