Advertisement
 Email

 First Name

 Last Name

 Company

 Country
CAPTCHA code
Captcha: (type the characters above)

TOP 20: JUST TRUST US
A second sonic Boom (4/18a)
ON THE COVER:
AARON BAY-SCHUCK
AND TOM CORSON
Bunny's hoppin' again. (4/17a)
NEAR TRUTHS:
PRIMARY NUMBERS
Hats off to Larry (4/17a)
TAY’S FORTHCOMING DEBUT: WE ARE TORTURED BY SPECULATION
So many questions (4/18a)
THE COUNT: COACHELLA, FROM THE COUCH
The coziest way to experience the fest (4/18a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
Pub Crawling
RESERVOIR SOAKS UP SOUL CLASSICS
9/13/17

Reservoir has picked up the catalogs of a passel of soul-music greats: Willie Mitchell, Leon Ware, Norman Harris and The Commodores' Thomas McClary and Walter Orange.

Memphis legend Mitchell produced Al Green's classic records and penned tunes for the likes of Solomon Burke and Ann Peebles. Ware wrote Marvin Gaye, Michael Jackson, The Isley Brothers, Minnie Riperton and Maxwell, and his work was heavily sampled by some of the most enduring acts in hip-hop.

Harris is among the architects of Philly Soul as producer/writer/musician, and worked with Curtis Mayfield, The Four Tops, The Temptations and The Trammps; his work, too, has been heavily sampled.

McClary and Orange co-wrote multiple tunes by The Commodores, including "Brick House," for which Orange provided the "mighty, mighty" vocals.

Global syncs are already in motion, and the long-term value of these copyrights need hardly be underscored.