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I.B. BAD: TRUE
OR FALSE?
Who you gonna trust on these matters? (9/22a)
POST STREAMS AHEAD
OF TAYLOR, SAM
Nothin' but net—dude can't miss right now. (9/22a)
ALL SLOW HANDS 
ON DECK
No, not Clapton. We're talking Horan. (9/22a)
THIS HITS LIST IS SEASONABLY COOL
This is the autumn equinox, after all. (9/22a)
TRIPPING & WORSHIPING
A compelling argument for physical product. (9/22a)
HITS' 31ST ANNIVERSARY ISSUE
Big. Papery. Stupid.
PIZZA NOT DELIVERED
Someone's in trouble.
SAM SMITH'S STATEMENT
How he captures our moment.
THE BIGGEST RELEASE OF Q4
It's not what you think.
Pub Crawling
RESERVOIR SOAKS UP SOUL CLASSICS
9/13/17

Reservoir has picked up the catalogs of a passel of soul-music greats: Willie Mitchell, Leon Ware, Norman Harris and The Commodores' Thomas McClary and Walter Orange.

Memphis legend Mitchell produced Al Green's classic records and penned tunes for the likes of Solomon Burke and Ann Peebles. Ware wrote Marvin Gaye, Michael Jackson, The Isley Brothers, Minnie Riperton and Maxwell, and his work was heavily sampled by some of the most enduring acts in hip-hop.

Harris is among the architects of Philly Soul as producer/writer/musician, and worked with Curtis Mayfield, The Four Tops, The Temptations and The Trammps; his work, too, has been heavily sampled.

McClary and Orange co-wrote multiple tunes by The Commodores, including "Brick House," for which Orange provided the "mighty, mighty" vocals.

Global syncs are already in motion, and the long-term value of these copyrights need hardly be underscored.