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TOP 20: JUST TRUST US
A second sonic Boom (4/17a)
ON THE COVER:
AARON BAY-SCHUCK
AND TOM CORSON
Bunny's hoppin' again. (4/17a)
NEAR TRUTHS:
PRIMARY NUMBERS
Hats off to Larry (4/17a)
THIS HITS PHOTO GALLERY IS WANDERING IN THE DESERT
Photographic proof of the weaselfest (4/15a)
POETS CORNER: TAY, SPOTIFY TEAM UP FOR L.A. HAPPENING
Truth is beauty (4/17a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
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POST TOASTED
THE COSLOY WAY OF KNOWLEDGE
(A KG25 Q&A)

He was a punk before you were a punk. Massachusetts native Gerard Cosloy got into the Boston hardcore scene early, putting together shows and starting the mimeographed fanzine Conflict before taking a grown-up job running indie label Homestead and moonlighting as a DJ at WFMU, while also playing in the Air Traffic Controllers. Cosloy’s profile rose considerably after he co-founded Matador Records at the dawn of the ’90s, as he went on to become one of the quintessential characters of the alternative era, working with the likes of Pavement, Guided by Voices and Liz Phair—he also played with G.G. Allin for a time, so it’s obvious that he has a strong stomach. Whip-smart and highly opinionated, Cosloy doesn’t suffer fools gladly, so it’s shocking to find him slumming in this sorry rag.

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