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NEW RELEASES: A FRESH CHART BATTLE?
So many factors in play. (9/24a)
RIAA: SUBS POWERED REVENUE IN H1 2018
Streaming revenue is 75% of the biz. (9/21a)
CHART STORY:
FEELIN' PRETTY
Shedding tears of joy. (9/21a)
SONG REVENUE CHART: THE BUCK STOPS HERE
Yeezy and Pump run to daylight. (9/21a)
UMG PAVES ELTON'S YELLOW BRICK ROAD WITH GOLD
This song's for Uni. (9/21a)
RAINMAKERS
The ones making history now.
WHO'S NEXT?
Who will be the next big pub and label players?
THOUGHTS ON LUNCH?
Like, will it ever get here?
THE KIDS
They're leaning on the button.
Music City
STATE OF THE STATE: BMLG
7/3/18

MARKETSHARE:

COUNTRY 10.1  |  OVERALL 1.2

Borchetta’s Big Machine started the year with a little act you might’ve heard of named Taylor Swift, and has since seen two young acts, Brett Young and Midland, achieve ACMs glory in the wake of radio and sales booms. New signing Riley Green, meanwhile, has ginned up a deafening buzz throughout Music City. Nobody has stood up for new rock like Borchetta or John Varvatos, his partner in inking such blazing guitar-slingers as Badflower(now exploding at radio, with newly anointed BMLG/Varvatos SVP Head of Promo Heather Luke simply kicking ass), Pretty Vicious and (via CumulusneXt2rock) Ivory Black. Big Machine Music, Borchetta’s pub arm, upped Mike Molinar to GM, and TV venture The Launch (in partnership with Bell Media) had its, um, launch via Sony Pictures Television. (It should be noted that BMLG’s marketshare does not include Taylor, but that shouldn’t affect anyone’s reputation.) 

Click the data graphics below for a bigger look.