Quantcast
Advertisement
 Email

 First Name

 Last Name

 Company

 Country
CAPTCHA code
Captcha: (type the characters above)

CRY THE TOP 20
Carrie is having a Pretty good first week. (9/19a)
NEW MUSIC FROM
LIL PEEP AND XXX
The two late rappers collaborated. (9/19a)
MMA PASSES SENATE, BIZ WHOOPS IT UP
Bill is one step away from becoming law. (9/19a)
THE LUMINEERS
GO ACTIVIST
Hey ho, who's getting them. (9/19a)
BIG MOVE: PLATT SUCCEEDING BANDIER AT SONY/ATV
One of the year's biggest stories (9/19a)
RAINMAKERS
The ones making history now.
WHO'S NEXT?
Who will be the next big pub and label players?
THOUGHTS ON LUNCH?
Like, will it ever get here?
THE KIDS
They're leaning on the button.
Critics' Choice
A QUICK ONE
7/3/18

By Simon Glickman

The Quick were a great unsung power pop band who sprang, as did I, from the smoggy, sprawling, sun-drenched San Fernando Valley. Formed by guitarist Steven Hufsteter and drummer Danny Benair (who'd go on to The Cruzados and The Weirdos/The Three O'Clock, respectively), the group added singer Danny Wilde (later of The Rembrandts), bassist Ian Ainsworth and keyboardist Billy Bizeau and inked a deal with Mercury. Their 1976 debut album, Mondo Deco (now reissued via Mercury/UMe/Real Gone Music), is a monument to tight hooks, tasty riffs, cool harmonies and that lovely musical space where power pop, new wave and glam meet. The set, produced by Kim Fowley and Earle Mankey, kicks off with a frenetic cover of The Beatles' "It Won't Be Long," and is followed by a suite of groovy originals ("No No Girl," "Hillary" and "Anybody" among the highlights) as well as a handful of demo versions. While the band didn't last, it's great news that this reissue can continue inspiring pop-leaning guitar bands, many of which have convened or will be convening soon at the International Pop Overthrow festival (go here for L.A. schedule). Expect more than a few nods to The Quick during that confab.