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SONG REVENUE CHART: YOUNG & RICH
Lil Nas X and Billie Eilish just keep rakin' it in. (4/25a)
NEAR TRUTHS: I.B. BAD SPINS THE GLOBE
They got a name for the winners in the world. (4/25a)
SPRINGSTEEN GOES ORCHESTRAL
And now for something a bit different... (4/25a)
YOUR TOP 20:
STILL ASLEEP
Billie reclaims her crown. (4/25a)
UNEARTHING THE SONGS PRINCE GAVE AWAY
Another dip into the Purple One's massive archives (4/25a)
THE NEXT RECORDING ACADEMY HEAD IS...
(The envelope, please.)
THE WHOLE SPIEL ON BILLIE
We're handing out crowns.
THE FUTURE OF ROCK & ROLL IS...
Hang on, we just need to throw this TV out the window.
THERE'S PIZZA IN THE BACK
The pepperoni's all gone, though.
Critics' Choice
REVISITING BRUCE ON BROADWAY
5/4/18

By Phil Gallo

In revisiting Springsteen on Broadway at the Walter Kerr Theater nearly seven months after first seeing it, Bruce Springsteen has turned it into a better show these days.

He is looser than in the performances that earned him raves back in October, moving more onstage and integrating extra dynamics into the show through simple actions—stepping away from the mic or pushing the volume of a guitar.

At that October show I felt a subtle distinction between the portions of his autobiography he reads and the material written for the show; that separation is gone. He has a better sense of how to play for laughs and how to pause after lines get a round of approving applause—he’s not just playing himself, he’s learned how to use the skills of an actor to more dramatically tell a story.

At that first show, “Brilliant Disguise,” “Tougher Than the Rest,” “Thunder Road” and “Born to Run” were favorites; this time it was the medley of “Dancing in the Dark” and “Land of Hopes and Dreams,” “My Hometown” and “Long Walk Home.” In a Broadway season when complaints abound regarding the paltry selection of musical offerings, Springsteen continues to deliver a show that will be talked about for decades. And, one hopes, may inspire others to consider the Broadway stage when the opportunity arises.