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IL CAPO DI SUGAR
Sweet smell of success. (11/14a)
GREIN ON GRAMMYS: SMOKE-FILLED RUMINATIONS
Theme song: Charlie Rich, "Behind Closed Doors" (11/9a)
MOVE WITH THE FLOW: THE JANICK WAY OF KNOWLEDGE (PART 2)
Don't miss Janick's "New Rules"... Oh wait, that's Bill Maher's bit. (11/12a)
IMMEDIATE IMPACT: STREAMING SONGS
It's a Trippie experience. (11/12a)
RAINMAKERS: MYSTERY GUEST, PLEASE SIGN IN
What do we get if we guess right? (11/9a)
GRAMMY NOMINEES
Collect 'em all!
MMA FOR DUMMIES
Not Mixed Martial Arts; the Music Modernization Act, dummy.
IS IT COLD IN HERE?
...or are our bosses from outer space?
THE KIDS
They're leaning on the button.
Critics' Choice
REVISITING BRUCE ON BROADWAY
5/4/18

By Phil Gallo

In revisiting Springsteen on Broadway at the Walter Kerr Theater nearly seven months after first seeing it, Bruce Springsteen has turned it into a better show these days.

He is looser than in the performances that earned him raves back in October, moving more onstage and integrating extra dynamics into the show through simple actions—stepping away from the mic or pushing the volume of a guitar.

At that October show I felt a subtle distinction between the portions of his autobiography he reads and the material written for the show; that separation is gone. He has a better sense of how to play for laughs and how to pause after lines get a round of approving applause—he’s not just playing himself, he’s learned how to use the skills of an actor to more dramatically tell a story.

At that first show, “Brilliant Disguise,” “Tougher Than the Rest,” “Thunder Road” and “Born to Run” were favorites; this time it was the medley of “Dancing in the Dark” and “Land of Hopes and Dreams,” “My Hometown” and “Long Walk Home.” In a Broadway season when complaints abound regarding the paltry selection of musical offerings, Springsteen continues to deliver a show that will be talked about for decades. And, one hopes, may inspire others to consider the Broadway stage when the opportunity arises.