Quantcast
Advertisement
 Email

 First Name

 Last Name

 Company

 Country
CAPTCHA code
Captcha: (type the characters above)

TWO JEWS CHEW ON
THE GRAMMYS
Pass me a knish. (5/24a)
SONY STARS SET
HITS LIST ABLAZE
They're fire. (5/24a)
THE IVORS 2019: ALL THE WINNERS
Theresa May wasn't even on the shortlist. (5/24a)
CROSSCURRENTS: HITSVILLE USA
A Berry important chapter of the story (5/24a)
SONG REVENUE CHART: PLAYOFF FEVER
We're in a generational moment. (5/24a)
THE DIVA PLAN
How pop stars from the pre-streaming era are finding a new groove.
RAINMAKERS RETURN
More of the folks who are making biz history now.
THE FUTURE OF ROCK & ROLL IS...
Hang on, we just need to throw this TV out the window.
AFTER COUNTRY TRAP
Is reggaeton death metal far behind?
Critics' Choice
AVRIEL & THE SEQUOIAS: QUIET IS THE NEW LOUD
6/9/17

The name Avriel & the Sequoias may be unfamiliar, but the voice and sensibility behind it is already famous: Avi Kaplan, formerly of Pentatonix. Yet Sage and Stone, his five-song independent EP is unlike anything Avi did with with his former group of a cappella pop acrobats (though his Penta-pedigree undoubtedly helped drive this EP into the Top 10 at iTunes). Stately and hushed, Sage and Stone channels the intimate, folky beauty of Nick Drake and his modern acolytes such as Iron & Wine. But while many a troubadour has attempted to capture that quiet power, Sage actually succeeds. On the string-enhanced "Fields and Pier," piano-fortified "Quarter Past Four" and the exquisite title track, the rich sweetness of his voice is a true marvel. He closes the proceedings with a bouncy "Sweet Adeline," after which you'll likely go back to the beginning. In a chaotic world, this sort of gentle beauty is a balm.