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NEAR TRUTHS: SPRING BLOOMS
Here come the big guns. (3/28a)
THE COUNT: COLDPLAY IS HOT, COUNTRY'S COOKIN' IN THE U.K.
The latest tidbits from the bustling live sector (3/28a)
CITY OF HOPE TAPS MARCIANO FOR TOP HONOR
This year's philanthropic model (3/28a)
TRUST IN THE TOP 20
Hip-hop is no longer hibernating. (3/28a)
UMG BROADENS SPOTIFY OFFERINGS
Sir Lucian and Daniel are in harmony. (3/28a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
Critics' Choice
ROCKS AND ROSES: RHINO’S NEW DEAD TRIPLE SET
5/12/16

Rhino has been serving up an unbelievable trove of live Grateful Dead recordings for some time now, packaging with the loving care of superfans who are also cultural custodians. The immortal trip-troupe’s summer 1978 show at Colorado’s Red Rocks amphitheater has been legendary since it first emerged as a board capture circulated by tape-traders. Those old “Betty Board” tapes, even after several generations of duplication, still sounded impressive; on this pristine, three-CD issue, Red Rocks 7/8/78, it sounds like you’re there.

The sprawling set finds Jerry, Bob and company taking risks with the material but executing with real finesse. In addition to fine versions of “Bertha,” “Sugar Magnolia,” “Dire Wolf,” “Deal,” “Ship of Fools,” “Terrapin Station,” “Eyes of the World” and other stellar originals, there are surprises like Warren Zevon’s “Werewolves of London,” played with cheeky aplomb. It’s a glimpse at a performance peak during a bumpy phase of the Dead’s career. Glad somebody was taping it.