Quantcast
 Email

 First Name

 Last Name

 Company

 Country
CAPTCHA code
Captcha: (type the characters above)

TWO JEWS CHEW ON
THE GRAMMYS
Pass me a knish. (5/23a)
ROLLING STONE'S YOUTUBE PROBLEM
Let's massage those numbers. (5/21a)
YES, IGOR:
IT'S THE TOP 20
A big week for Stringer (5/23a)
VIVENDI EYEING TENCENT FOR UMG STAKE (REPORT)
You mean like 10 cents on the dollar? (5/23a)
SONG REVENUE CHART: PLAYOFF FEVER
We're in a generational moment. (5/23a)
THE DIVA PLAN
How pop stars from the pre-streaming era are finding a new groove.
RAINMAKERS RETURN
More of the folks who are making biz history now.
THE FUTURE OF ROCK & ROLL IS...
Hang on, we just need to throw this TV out the window.
AFTER COUNTRY TRAP
Is reggaeton death metal far behind?
Blighty Beat
SOLO MEN RULE U.K. MUSIC. WHY?
5/10/18

 

This revealing graph show how music trends have shifted in the U.K. since 2000, with the appetite for male solo artists rocketing at the expense of groups, as seen in a story published by The TimesAdele aside, female soloists haven’t fared so well either.

Last year, male solo artists like Ed SheeranRag’n’Bone ManStormzyLiam Gallagher and Sam Smith accounted for 46% of album sales in Blighty. That’s the highest share since figures were recorded in 2000, when that stat was a tad above 30%, according to figures provided by trade body BPI and the Official Charts Co.

In 2000, male groups started with a 37% share of the market, rising to a 45% peak in 2005 (Coldplay, Kaiser ChiefsWestlife) and since dropping to 33%.

Female solo artists started at 18% in 2000, peaking at 31% in 2011 when Adele released her second album, 21, and since dropping to a comparatively tiny 13% albums market share.

Mixed male and female groups have dipped to 6% from 11% over the last 17 years, while female groups have maintained a fairly even keel at just 3%.

… Read more