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ROCK HALL UNVEILS 2024 INDUCTEES
Class of '24 comes alive. (4/22a)
HITS LIST IN
PLAYOFF MODE
Will scoring records be broken this week? (4/23a)
BILL'S PASSAGE COULD RESULT IN U.S. TIKTOK BAN
Meanwhile, on Capitol Hill... (4/20a)
BLACKSTONE ASSEMBLING $1.5B BID FOR HIPGNOSIS SONGS FUND
A white-knuckle moment (4/20a)
NEW RELEASES:
SWIFT UPS THE ANTE
Does she ever. (4/22a)
THE NEW UMG
Gosh, we hope there are more press releases.
TIKTOK BANNED!
Unless the Senate manages to make this whole thing go away, that is.
THE NEW HUGE COUNTRY ACT
No, not that one.
TRUMP'S CAMPAIGN PLAYLIST
Now 100% unlicensed!
Blighty Beat
SOLO MEN RULE U.K. MUSIC. WHY?
5/10/18

This revealing graph show how music trends have shifted in the U.K. since 2000, with the appetite for male solo artists rocketing at the expense of groups, as seen in a story published by The Times. Adele aside, female soloists haven’t fared so well either.

Last year, male solo artists like Ed Sheeran, Rag’n’Bone Man, Stormzy, Liam Gallagher and Sam Smith accounted for 46% of album sales in Blighty. That’s the highest share since figures were recorded in 2000, when that stat was a tad above 30%, according to figures provided by trade body BPI and the Official Charts Co.

In 2000, male groups started with a 37% share of the market, rising to a 45% peak in 2005 (Coldplay, Kaiser Chiefs, Westlife) and since dropping to 33%.

Female solo artists started at 18% in 2000, peaking at 31% in 2011 when Adele released her second album, 21, and since dropping to a comparatively tiny 13% albums market share.

Mixed male and female groups have dipped to 6% from 11% over the last 17 years, while female groups have maintained a fairly even keel at just 3%.

… Read more