Quantcast
 Email

 First Name

 Last Name

 Company

 Country
CAPTCHA code
Captcha: (type the characters above)

AIRHEAD: STEVE'S A STAR, LYOR'S A LYR
Check out the Cohen coif. (10/19a)
RIRI PASSES ON SUPER BOWL LIII HALFTIME
Solidarity in action (10/19a)
GREIN ON GRAMMYS: BEST NEW ARTIST—WHO'S IN, WHO'S OUT
The process begins. (10/19a)
YOUR TOP 20 IS BORN UNDER A BRAD SIGN
Gaga and Cooper on repeat (10/17a)
THE LAST HURDLE
The final call will go down in Brussels. (10/19a)
GRAMMY CONTENDERS
We chat with big stars, rising stars and next big things.
MMA FOR DUMMIES
Not Mixed Martial Arts; the Music Modernization Act, dummy.
IS IT COLD IN HERE?
...or are our bosses from outer space?
THE KIDS
They're leaning on the button.
Blighty Beat
SOLO MEN RULE U.K. MUSIC. WHY?
5/10/18

 

This revealing graph show how music trends have shifted in the U.K. since 2000, with the appetite for male solo artists rocketing at the expense of groups, as seen in a story published by The TimesAdele aside, female soloists haven’t fared so well either.

Last year, male solo artists like Ed SheeranRag’n’Bone ManStormzyLiam Gallagher and Sam Smith accounted for 46% of album sales in Blighty. That’s the highest share since figures were recorded in 2000, when that stat was a tad above 30%, according to figures provided by trade body BPI and the Official Charts Co.

In 2000, male groups started with a 37% share of the market, rising to a 45% peak in 2005 (Coldplay, Kaiser ChiefsWestlife) and since dropping to 33%.

Female solo artists started at 18% in 2000, peaking at 31% in 2011 when Adele released her second album, 21, and since dropping to a comparatively tiny 13% albums market share.

Mixed male and female groups have dipped to 6% from 11% over the last 17 years, while female groups have maintained a fairly even keel at just 3%.

… Read more